Fonds F1234 - David Wark Griffith fonds

Zone du titre et de la mention de responsabilité

Titre propre

David Wark Griffith fonds

Dénomination générale des documents

Titre parallèle

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Niveau de description

Fonds

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Zone des précisions relatives à la catégorie de documents

Mention d'échelle (cartographique)

Mention de projection (cartographique)

Mention des coordonnées (cartographiques)

Mention d'échelle (architecturale)

Juridiction responsable et dénomination (philatélique)

Zone des dates de production

Date(s)

  • [ca. 1913]-1940 (Production)
    Producteur
    Griffith, David Wark

Zone de description matérielle

Description matérielle

36 microfilm reels : positive

Zone de la collection

Titre propre de la collection

Titres parallèles de la collection

Compléments du titre de la collection

Mention de responsabilité relative à la collection

Numérotation à l'intérieur de la collection

Note sur la collection

Zone de la description archivistique

Nom du producteur

(1875-1948)

Notice biographique

David Wark Griffith, filmaker, was born in 1875 on a poor Kentucky farm. A quiet boy given to reading, Griffith had little formal education, but spent much of his free time in the library. As a young man he was determined to become a playwright and left home to learn his craft as an actor. For twelve years he crisscrossed the country, acting in minor productions, learning how to tell a story and how to sell it. Griffith played a number of roles as an actor before agreeing to move behind the camera as a director at the Biograph Company. . During his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continuity, editing, acting -- and wrought a medium of extraordinary power and nuance. Determined to get beyond the short format films, he left Biograph and in 1915 made Birth of a Nation, acknowledged as the first masterpiece of cinema, bringing to film the status accorded to the visual and performing arts. Griffith’s next film, INTOLERANCE (1916), marked a new standard in film spectacle and in narrative complexity, intertwining four separate stories from four different historical eras. As the 1920s passed on, Griffith’s films seemed more and more old-fashioned, and no longer appealed to the younger audiences. A Victorian storyteller, he had become temperamentally and artistically out of sync with his times. Though he had almost single-handedly invented the art of modern cinema, Griffith spent the last fifteen years of his life unable to find work. On July 23, 1948 he died in a small Los Angeles hotel.

Historique de la conservation

Portée et contenu

The fonds consists of correspondence, business and personal records, records relating to his motion pictures, reports, financial statements, and scrapbooks.

Zone des notes

État de conservation

Source immédiate d'acquisition

Microfilm of originals purchased from the Museum of Modern Art, New York City in 1989.

Classement

Langue des documents

  • anglais

Écriture des documents

Localisation des originaux

MF 2879-2911

Disponibilité d'autres formats

Restrictions d'accès

Open

Délais d'utilisation, de reproduction et de publication

Copyright restrictions may apply.

Éléments associés

Éléments associés

Accroissements

No further accruals are expected

Identifiant(s) alternatif(s)

Zone du numéro normalisé

Numéro normalisé

Mots-clés

Mots-clés - Sujets

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Mots-clés - Genre

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Identifiant de la description du document

Identifiant du service d'archives

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Statut

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Dates de production, de révision et de suppression

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Localisation physique

  • Tablette: MF 2879-2911