Zone du titre et de la mention de responsabilité
Titre propre
David Wark Griffith fonds
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Fonds
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
[ca. 1913]-1940 (Production)
- Producteur
- Griffith, David Wark
Zone de description matérielle
Description matérielle
36 microfilm reels : positive
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
David Wark Griffith, filmaker, was born in 1875 on a poor Kentucky farm. A quiet boy given to reading, Griffith had little formal education, but spent much of his free time in the library. As a young man he was determined to become a playwright and left home to learn his craft as an actor. For twelve years he crisscrossed the country, acting in minor productions, learning how to tell a story and how to sell it. Griffith played a number of roles as an actor before agreeing to move behind the camera as a director at the Biograph Company. . During his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continuity, editing, acting -- and wrought a medium of extraordinary power and nuance. Determined to get beyond the short format films, he left Biograph and in 1915 made Birth of a Nation, acknowledged as the first masterpiece of cinema, bringing to film the status accorded to the visual and performing arts. Griffiths next film, INTOLERANCE (1916), marked a new standard in film spectacle and in narrative complexity, intertwining four separate stories from four different historical eras. As the 1920s passed on, Griffiths films seemed more and more old-fashioned, and no longer appealed to the younger audiences. A Victorian storyteller, he had become temperamentally and artistically out of sync with his times. Though he had almost single-handedly invented the art of modern cinema, Griffith spent the last fifteen years of his life unable to find work. On July 23, 1948 he died in a small Los Angeles hotel.
Historique de la conservation
Portée et contenu
The fonds consists of correspondence, business and personal records, records relating to his motion pictures, reports, financial statements, and scrapbooks.
Zone des notes
État de conservation
Source immédiate d'acquisition
Microfilm of originals purchased from the Museum of Modern Art, New York City in 1989.
Classement
Langue des documents
- anglais
Écriture des documents
Localisation des originaux
MF 2879-2911
Disponibilité d'autres formats
Restrictions d'accès
Open
Délais d'utilisation, de reproduction et de publication
Copyright restrictions may apply.
Instruments de recherche
Éléments associés
Accroissements
No further accruals are expected