Área de título y declaración de responsabilidad
Título apropiado
David Wark Griffith fonds
Tipo general de material
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Fondo
Institución archivística
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
[ca. 1913]-1940 (Creación)
- Creador
- Griffith, David Wark
Área de descripción física
Descripción física
36 microfilm reels : positive
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
David Wark Griffith, filmaker, was born in 1875 on a poor Kentucky farm. A quiet boy given to reading, Griffith had little formal education, but spent much of his free time in the library. As a young man he was determined to become a playwright and left home to learn his craft as an actor. For twelve years he crisscrossed the country, acting in minor productions, learning how to tell a story and how to sell it. Griffith played a number of roles as an actor before agreeing to move behind the camera as a director at the Biograph Company. . During his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continuity, editing, acting -- and wrought a medium of extraordinary power and nuance. Determined to get beyond the short format films, he left Biograph and in 1915 made Birth of a Nation, acknowledged as the first masterpiece of cinema, bringing to film the status accorded to the visual and performing arts. Griffiths next film, INTOLERANCE (1916), marked a new standard in film spectacle and in narrative complexity, intertwining four separate stories from four different historical eras. As the 1920s passed on, Griffiths films seemed more and more old-fashioned, and no longer appealed to the younger audiences. A Victorian storyteller, he had become temperamentally and artistically out of sync with his times. Though he had almost single-handedly invented the art of modern cinema, Griffith spent the last fifteen years of his life unable to find work. On July 23, 1948 he died in a small Los Angeles hotel.
Historial de custodia
Alcance y contenido
The fonds consists of correspondence, business and personal records, records relating to his motion pictures, reports, financial statements, and scrapbooks.
Área de notas
Condiciones físicas
Origen del ingreso
Microfilm of originals purchased from the Museum of Modern Art, New York City in 1989.
Arreglo
Idioma del material
- inglés
Escritura del material
Ubicación de los originales
MF 2879-2911
Disponibilidad de otros formatos
Restricciones de acceso
Open
Condiciones de uso, reproducción, y publicación
Copyright restrictions may apply.
Instrumentos de descripción
Materiales asociados
Acumulaciones
No further accruals are expected