Bereich 'Titel und Anmerkung zur Verantwortlichkeit'
Haupttitel
David Wark Griffith fonds
Allgemeine Werkstoffbezeichnung
Paralleler Titel
Andere Titelinformation
Titelangaben zur Verantwortlichkeit
Anmerkungen zum Titel
Erschließungsstufe
Fonds
Archiv
Bereich "Edition"
Edition statement
Edition statement of responsibility
Class of material specific details area
Angaben zum Maßstab (kartografisch)
Angaben zur Projektion (kartografisch)
Angaben zu Koordinaten (kartografisch)
Angaben zum Maßstab (architektonisch)
Issuing jurisdiction and denomination (philatelic)
Bereich "Entstehungszeitraum"
Datum/Laufzeit
-
[ca. 1913]-1940 (Anlage)
- Urheber/Bestandsbildner
- Griffith, David Wark
Bereich 'Physische Beschreibung'
Physische Beschreibung
36 microfilm reels : positive
Publisher's series area
Haupttitel der Verlagsreihe
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Bereich "Archivische Beschreibung"
Name des Bestandsbildners
Biographische Angaben
David Wark Griffith, filmaker, was born in 1875 on a poor Kentucky farm. A quiet boy given to reading, Griffith had little formal education, but spent much of his free time in the library. As a young man he was determined to become a playwright and left home to learn his craft as an actor. For twelve years he crisscrossed the country, acting in minor productions, learning how to tell a story and how to sell it. Griffith played a number of roles as an actor before agreeing to move behind the camera as a director at the Biograph Company. . During his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continuity, editing, acting -- and wrought a medium of extraordinary power and nuance. Determined to get beyond the short format films, he left Biograph and in 1915 made Birth of a Nation, acknowledged as the first masterpiece of cinema, bringing to film the status accorded to the visual and performing arts. Griffiths next film, INTOLERANCE (1916), marked a new standard in film spectacle and in narrative complexity, intertwining four separate stories from four different historical eras. As the 1920s passed on, Griffiths films seemed more and more old-fashioned, and no longer appealed to the younger audiences. A Victorian storyteller, he had become temperamentally and artistically out of sync with his times. Though he had almost single-handedly invented the art of modern cinema, Griffith spent the last fifteen years of his life unable to find work. On July 23, 1948 he died in a small Los Angeles hotel.
Bestandsgeschichte
Eingrenzung und Inhalt
The fonds consists of correspondence, business and personal records, records relating to his motion pictures, reports, financial statements, and scrapbooks.
Bereich "Anmerkungen"
Physischer Zustand
Abgebende Stelle
Microfilm of originals purchased from the Museum of Modern Art, New York City in 1989.
Ordnung und Klassifikation
In der Verzeichnungseinheit enthaltene Sprache
- Englisch
Schrift in den Unterlagen
Aufbewahrungsort der Originale
MF 2879-2911
Verfügbarkeit anderer Formate
Zugangsbeschränkungen
Open
Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln
Copyright restrictions may apply.
Verbundene Materialien
Zuwächse
No further accruals are expected