Title and statement of responsibility area
Title proper
David Wark Griffith fonds
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Level of description
Fonds
Repository
Edition area
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Class of material specific details area
Statement of scale (cartographic)
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Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
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[ca. 1913]-1940 (Creation)
- Creator
- Griffith, David Wark
Physical description area
Physical description
36 microfilm reels : positive
Publisher's series area
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Archival description area
Name of creator
Biographical history
David Wark Griffith, filmaker, was born in 1875 on a poor Kentucky farm. A quiet boy given to reading, Griffith had little formal education, but spent much of his free time in the library. As a young man he was determined to become a playwright and left home to learn his craft as an actor. For twelve years he crisscrossed the country, acting in minor productions, learning how to tell a story and how to sell it. Griffith played a number of roles as an actor before agreeing to move behind the camera as a director at the Biograph Company. . During his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continuity, editing, acting -- and wrought a medium of extraordinary power and nuance. Determined to get beyond the short format films, he left Biograph and in 1915 made Birth of a Nation, acknowledged as the first masterpiece of cinema, bringing to film the status accorded to the visual and performing arts. Griffiths next film, INTOLERANCE (1916), marked a new standard in film spectacle and in narrative complexity, intertwining four separate stories from four different historical eras. As the 1920s passed on, Griffiths films seemed more and more old-fashioned, and no longer appealed to the younger audiences. A Victorian storyteller, he had become temperamentally and artistically out of sync with his times. Though he had almost single-handedly invented the art of modern cinema, Griffith spent the last fifteen years of his life unable to find work. On July 23, 1948 he died in a small Los Angeles hotel.
Custodial history
Scope and content
The fonds consists of correspondence, business and personal records, records relating to his motion pictures, reports, financial statements, and scrapbooks.
Notes area
Physical condition
Immediate source of acquisition
Microfilm of originals purchased from the Museum of Modern Art, New York City in 1989.
Arrangement
Language of material
- English
Script of material
Location of originals
MF 2879-2911
Availability of other formats
Restrictions on access
Open
Terms governing use, reproduction, and publication
Copyright restrictions may apply.
Associated materials
Accruals
No further accruals are expected