Área de título y declaración de responsabilidad
Título apropiado
Allan Winton King fonds
Tipo general de material
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Fondo
Institución archivística
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
1972-1981 (Creación)
- Creador
- King, Allan Winton
Área de descripción física
Descripción física
1 m of textual records
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
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Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
Born 6 February 1930, in Vancouver, British Columbia, Allan King is one of Canada's leading filmmakers.The son of John Owen and Kathleen Mary (Keegan) King, he graduated from the University of British Columbia, with a B.A. in Philosophy, in 1954. His career spans four decades and every genre except animation. Retrospectives of his work have been shown in Montréal 1961, London 1970 and 1984, Rome 1983, Cinematheque Ontario 1995.
As an independent filmmaker, he was responsible for the documentary SKIDROW (1956); THE YUKONERS (1956); DREAMS (1956); PEMBERTON VALLEY (1957); and RICKSHAW (1960), which won awards at both the Leipzig and Vancouver Film Festivals the following year. After forming "Allan King Associates Ltd.", he opened a studio in London, England ("Allan King Associates England Ltd.") in 1961. It pioneered the then novel techniques of cinéma vérité and "direct cinema". By the mid-sixties he moved toward a genre he describes as "actuality drama," shaping spontaneous action into dramatic form to explore personal experience. The first was WARRENDALE, a film about emotionally disturbed children. It won the Priz d'art et d'essai at Cannes in 1967. It also shared the British Academy's Best Foreign Film Award and the New York Critics' Award in 1968.
In the decade from 1974 to 1984, his credits included the television dramas A BIRD IN THE HOUSE, which won four Canadian Film Awards; BAPTISING, which won the Best Drama Award at the Yoletin Festival; RED EMMA; SIX WAR YEARS; READY FOR SLAUGHTER, which was a winner at the Banff Film Festival; and WHO'S IN CHARGE?, that was shown by invitation at the Landon Film Festival; and the dramatic feature film (his first), WHO HAS SEEN THE WIND, in 1976. It won the Grand Prix at the Paris International Film Festival and the Golden Reel Award for the highest grossing Canadian film of the year. In 1978, his ONE NIGHT STAND won four Canadian Film Awards including Best TV Drama; and SILENCE OF THE NORTH..
In 1988 King was given the Ontario Film Institute Award for Excellence in Canadian Cinema. 1998 saw Allan King awarded the Lifetime Achievement Award from Hot Docs, the Canadian international documentary festival, in recognition for his long and distinguished career. In 2000 he received the Directors Guild of Canadas Distinguished Service Award and the Arts Toronto Lifetime Achievement Award. In 2002 "Warrendale" was denoted a masterwork by the AV Preservation Trust.
Allan King was married to Patricia Watson (30 June 1970), and they have two children, a daughter, Maggie Amarita; and a son, Robert Alexnader. Allan King alos has a daughter (Anna Augosta) by a previous marriage (Phyllis April Leiterman, 10 May 1952). He passed away at age 79 , June 15, 2009.
Historial de custodia
In 1986, Allan King entered into an agreement with Queen's University in general, and the Department of Film Studies in particular, to donate his films to date, to the latter. Following an appraisal by the National Archives Appraisal Board (NAAB), the films were transported to the Department of Film Studies, where they have been housed ever since, for study and research purposes. Included in this donation, and which are held by Queen's University Archives, were two boxes of textual material pertaining to the production of two of King's films -- "Who Has Seen the Wind" (1977); and "Silence of the North" (1980). These records were originally housed with Film Studies until 1991, when it was decided to transfer them to Queen's University Archives.
Alcance y contenido
Fonds consists of correspondence, financial records, production files, draft scripts, photographs, press clippings pertaining to his films, 'Who Has Seen the Wind' (1976), and 'Silence of the North' (1980).
Área de notas
Condiciones físicas
Origen del ingreso
Gift of Dr. Blaine Allan, Department of Film Studies
Arreglo
Idioma del material
- inglés
Escritura del material
Ubicación de los originales
3736.11
Disponibilidad de otros formatos
Restricciones de acceso
Open
Condiciones de uso, reproducción, y publicación
Copyright restrictions may apply.
Instrumentos de descripción
Materiales asociados
Acumulaciones
Further accruals are expected