Bereich 'Titel und Anmerkung zur Verantwortlichkeit'
Haupttitel
Allan Winton King fonds
Allgemeine Werkstoffbezeichnung
Paralleler Titel
Andere Titelinformation
Titelangaben zur Verantwortlichkeit
Anmerkungen zum Titel
Erschließungsstufe
Fonds
Archiv
Bereich "Edition"
Edition statement
Edition statement of responsibility
Class of material specific details area
Angaben zum Maßstab (kartografisch)
Angaben zur Projektion (kartografisch)
Angaben zu Koordinaten (kartografisch)
Angaben zum Maßstab (architektonisch)
Issuing jurisdiction and denomination (philatelic)
Bereich "Entstehungszeitraum"
Datum/Laufzeit
-
1972-1981 (Anlage)
- Urheber/Bestandsbildner
- King, Allan Winton
Bereich 'Physische Beschreibung'
Physische Beschreibung
1 m of textual records
Publisher's series area
Haupttitel der Verlagsreihe
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Bereich "Archivische Beschreibung"
Name des Bestandsbildners
Biographische Angaben
Born 6 February 1930, in Vancouver, British Columbia, Allan King is one of Canada's leading filmmakers.The son of John Owen and Kathleen Mary (Keegan) King, he graduated from the University of British Columbia, with a B.A. in Philosophy, in 1954. His career spans four decades and every genre except animation. Retrospectives of his work have been shown in Montréal 1961, London 1970 and 1984, Rome 1983, Cinematheque Ontario 1995.
As an independent filmmaker, he was responsible for the documentary SKIDROW (1956); THE YUKONERS (1956); DREAMS (1956); PEMBERTON VALLEY (1957); and RICKSHAW (1960), which won awards at both the Leipzig and Vancouver Film Festivals the following year. After forming "Allan King Associates Ltd.", he opened a studio in London, England ("Allan King Associates England Ltd.") in 1961. It pioneered the then novel techniques of cinéma vérité and "direct cinema". By the mid-sixties he moved toward a genre he describes as "actuality drama," shaping spontaneous action into dramatic form to explore personal experience. The first was WARRENDALE, a film about emotionally disturbed children. It won the Priz d'art et d'essai at Cannes in 1967. It also shared the British Academy's Best Foreign Film Award and the New York Critics' Award in 1968.
In the decade from 1974 to 1984, his credits included the television dramas A BIRD IN THE HOUSE, which won four Canadian Film Awards; BAPTISING, which won the Best Drama Award at the Yoletin Festival; RED EMMA; SIX WAR YEARS; READY FOR SLAUGHTER, which was a winner at the Banff Film Festival; and WHO'S IN CHARGE?, that was shown by invitation at the Landon Film Festival; and the dramatic feature film (his first), WHO HAS SEEN THE WIND, in 1976. It won the Grand Prix at the Paris International Film Festival and the Golden Reel Award for the highest grossing Canadian film of the year. In 1978, his ONE NIGHT STAND won four Canadian Film Awards including Best TV Drama; and SILENCE OF THE NORTH..
In 1988 King was given the Ontario Film Institute Award for Excellence in Canadian Cinema. 1998 saw Allan King awarded the Lifetime Achievement Award from Hot Docs, the Canadian international documentary festival, in recognition for his long and distinguished career. In 2000 he received the Directors Guild of Canadas Distinguished Service Award and the Arts Toronto Lifetime Achievement Award. In 2002 "Warrendale" was denoted a masterwork by the AV Preservation Trust.
Allan King was married to Patricia Watson (30 June 1970), and they have two children, a daughter, Maggie Amarita; and a son, Robert Alexnader. Allan King alos has a daughter (Anna Augosta) by a previous marriage (Phyllis April Leiterman, 10 May 1952). He passed away at age 79 , June 15, 2009.
Bestandsgeschichte
In 1986, Allan King entered into an agreement with Queen's University in general, and the Department of Film Studies in particular, to donate his films to date, to the latter. Following an appraisal by the National Archives Appraisal Board (NAAB), the films were transported to the Department of Film Studies, where they have been housed ever since, for study and research purposes. Included in this donation, and which are held by Queen's University Archives, were two boxes of textual material pertaining to the production of two of King's films -- "Who Has Seen the Wind" (1977); and "Silence of the North" (1980). These records were originally housed with Film Studies until 1991, when it was decided to transfer them to Queen's University Archives.
Eingrenzung und Inhalt
Fonds consists of correspondence, financial records, production files, draft scripts, photographs, press clippings pertaining to his films, 'Who Has Seen the Wind' (1976), and 'Silence of the North' (1980).
Bereich "Anmerkungen"
Physischer Zustand
Abgebende Stelle
Gift of Dr. Blaine Allan, Department of Film Studies
Ordnung und Klassifikation
In der Verzeichnungseinheit enthaltene Sprache
- Englisch
Schrift in den Unterlagen
Aufbewahrungsort der Originale
3736.11
Verfügbarkeit anderer Formate
Zugangsbeschränkungen
Open
Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln
Copyright restrictions may apply.
Verbundene Materialien
Zuwächse
Further accruals are expected