Zone du titre et de la mention de responsabilité
Titre propre
Walter Seymour Allward fonds
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Fonds
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
1910-1968 (Production)
- Producteur
- Allward, Walter Seymour
Zone de description matérielle
Description matérielle
1 m of textual records and other material
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Walter Allward (1875-1955) was probably Canada's most important monumental sculptor in the first third of this century. Born in Toronto, he first worked as a draughtsman for an architectural firm and subsequently modelled terra cotta decorative panels for the Don Valley Brick Company. His first commission was for the figure of Peace for the North West Rebellion Monument at Queen's Park, Toronto in 1894. While he later received commissions for portrait monuments (the Simcoe Monument (1896?-1903), Sir Oliver Mowat (1899?-1905) and J.S. Macdonald (1907-1909), all at Queen's Park), his preference was for more allegorical interpretations as evidenced in his South African War Memorial (1904-1910) on University Avenue in Toronto and the Baldwin-Lafontaine Monument (1907-1914) on Parliament Hill in Ottawa. Yet his most notable early success was the Alexander Graham Bell Monument (1908-1917) in Brantford, Ontario. In 1912 he was awarded the contract for the King Edward VII memorial in Ottawa of which only two figures, Truth and Justice, were cast in 1923 and which are now installed in front of the Supreme Court in Ottawa. The most important commission Allward received was for the monument to Canadians killed in the First World War at Vimy, France, a project which would occupy him from 1921 to its unveiling in 1936 on the eve of the Second World War.
Historique de la conservation
Portée et contenu
The Walter Seymour Allward papers contain 1 metre of textual records, plus architectural drawings. The main focus of the papers in both media is the Vimy Ridge Memorial, near Arras, France erected to World War I 'missing' Canadians by the Canadian Battlefields Memorial Commission 1922-36, with Walter Allward as architect and sculptor. This imposing monument was the major work in Allward's career but he created several other monuments in Canada before, and after, World War I e.g. Peterborough, Ottawa, Brantford.
Zone des notes
État de conservation
Source immédiate d'acquisition
Donated by Peter Allward
Classement
Langue des documents
- anglais
Écriture des documents
Localisation des originaux
5055
V114
Map 18
Map 1
F5 A2
F5 A3
F5 A4
F5 A5
Disponibilité d'autres formats
Restrictions d'accès
Open
Délais d'utilisation, de reproduction et de publication
Copyright provisions may apply, please see archivist.
Instruments de recherche
- https://db-archives.library.queensu.ca/FindingAids/A/Allward-Walter/Allward-5055.xlsx
- https://db-archives.library.queensu.ca/FindingAids/A/Allward-Walter/Allward-Walter-5055.docx
- https://db-archives.library.queensu.ca/FindingAids/A/Allward-Walter/Allward-Walter-V114.docx
- https://db-archives.library.queensu.ca/FindingAids/A/Allward-Walter/Allward-Walter-Map_18.docx
Éléments associés
Accroissements
No further accruals are expected