Área de título y declaración de responsabilidad
Título apropiado
Saunders film collection
Tipo general de material
- Moviendo imágenes
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Colección
Institución archivística
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
1932-1936 (Creación)
- Creador
- Saunders, Margaret (Maisie) Helen Strickland
Área de descripción física
Descripción física
27 film reels: 16mm, b&w, acetate
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
Margaret (Maisie) Helen Inverarity Stickland Saunders, was born in 1898, and died in Ottawa in 1985. In June of 1918, Maisie and Louis Farquhar Strickland married in Edinburgh Scotland. They had one child. Inverarity and Strickland divorced in 1925 after Maisie had returned to Scotland. Maisie then married William Eric Pentland Saunders in 1926. She was a pioneering aviator, having been within the first fifty women to receive a Royal Aero Club certificate in 1929.
Historial de custodia
These films were donated by Jessie Dutton-Saunders through the good offices of Alexander Scala. Scala held and researched the material for a number of years and created the descriptive documentation that accompanied the material upon donation.
Alcance y contenido
At the end of 1930 William Eric Pentland Saunders, late of the Indian Army, and his wife, Margaret Helen Saunders, née Inverarity, set out westward from England on a trip around the world. Eric and Maisie embarked on the USS Leviathan at Southampton on December 16, 1930 and returned to England, via Ostend, on about June 11, 1935. They were accompanied throughout by Ivy Vanderplank who was in their employ.
Upon arrival in New York City (December 24, 1930) Maisie bought a Kodak 16mm movie camera. The majority of the films were shot by Maisie, though there are brief glimpses of her in a couple of films, when someone else, likely Eric, took the camera. The numbering of the surviving films suggests that in the course of her trip around the world she produced at least one hundred and twenty-nine reels. She produced another seven 400-foot reels upon her return to the United Kingdom. Most of the films have disappeared, a few have merely not been salvageable. The collection therefore consists of twenty-four 400-foot films, seventeen from the trip around the world and eight from the period after the Saunders' return to the United Kingdom.
The earliest surviving reel shows Peking in January 1932; the latest shows England in the summer of 1936. There are no surviving films from the first year of the Saunders' travels. The majority of the films from the trip around the world refer to the last year of the Saunders' travels -- that is, in the Middle East and Europe in 1934 and 1935.
The Saunders toured Japan until early in January 1932, when they took a ferry to Korea. They made their way overland to Manchuria, freshly occupied by Japan, then down to Peking, where the first of the extant films (24) finds them. The next surviving film (26) begins in Shanghai, where the Saunders party arrived, apparently by ship, during the last phase of the fighting between the Chinese and Japanese (February 1932. The film also shows the group's departure on the USS President Coolidge and its arrival in Hong Kong. Maisie Saunders's films of her party's subsequent travels in French Indochina, the Dutch East Indies and Ceylon and their long sojourn in Australia have all been lost. One film (59) survives from the Saunders's months in New Zealand.
Of stylistic note: many of the films are being shot from inside/on board vehicles. The hood ornaments of their various cars are often visible in the shot.
Área de notas
Condiciones físicas
Origen del ingreso
Arreglo
Idioma del material
Escritura del material
Ubicación de los originales
Disponibilidad de otros formatos
Restricciones de acceso
Condiciones de uso, reproducción, y publicación
Instrumentos de descripción
Generated finding aid
Materiales asociados
Acumulaciones
Identificador/es alternativo(os)
Área de número estándar
Número estándar
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control
Identificador de registro de descripción
Identificador de la institución
Reglas o convenciones
Estado de elaboración
Final
Nivel de detalle
Completo