Zone du titre et de la mention de responsabilité
Titre propre
Lorne and Edith Pierce collection. Helen Waddell sous-fonds
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Sous-fonds
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
[ca. 1940]-1960 (Production)
- Producteur
- Waddell, Helen Jane
Zone de description matérielle
Description matérielle
0.01 m of textual records
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Helen Jane Waddell was born in Tokyo, where her father was a Presbyterian missionary; Sam Waddell (the dramatist Rutherford Mayne) was her elder brother. She was educated at Queen's, Belfast, Oxford and Paris, and for a number of years worked for the publishing house of Constable (which also issued her own books).
Helen Waddell is best known for revealing to the modern reader the world of the medieval goliards (The Wandering Scholars, 1927), many of whose poems she translated in Medieval Latin Lyrics (1929). Her one novel, Peter Aberard (1933), is also set in that medieval world and enjoyed considerable success at the time. But her subject matter ranged wider than that; her first publication was Lyrics From The Chinese and she also wrote an authoritative - and readable - book on the anchorites of the Sinai desert (The Desert Fathers). She even tried her hand at plays; The Spoilt Buddha, first performed at the Grand Opera House, Belfast, is reputed to be a portrait of her brother Sam.
A wasting neurological illness put an end to her writing career in 1950. She spent her last years living with her sister Meg at Kilmacrew House, near Banbridge. She died in London.
Historique de la conservation
Portée et contenu
Sous-fonds consists of a holograph poem, titled "Requiem."
Zone des notes
État de conservation
Source immédiate d'acquisition
Gift of L.W. Brockington, 1960.
Classement
Langue des documents
- anglais
Écriture des documents
Localisation des originaux
2001.1
Disponibilité d'autres formats
Restrictions d'accès
Open
Délais d'utilisation, de reproduction et de publication
Copyright restrictions may apply.