This fonds consists of correspondence; subject files; notebooks; financial and legal records; holograph Presbyterian sermons, 1819-1840, with a few dated as late as 1882, minutes of Kirk sessions, synod addresses, annual stripend list, temperance literature, and other religious tracts; ledger for a store, ca. 1818; material relating to Queen's University at Kingston including course notes, examinations, and ephemera; records of a medical practice; photographs; clippings; local historical documents and artifacts. This material relates to the Presbyterian Minister, the Reverend John Dickey, of Williamsburg, Ontario, and various of his descendants.
The fonds consists of correspondence, manuscripts (both published and unpublished), poems, plays, notebooks, and daybooks. The material reflects Humphrey's literary life from her teenage years up until 2010, and shows the process of writing books of both poetry and prose from beginning to end. The fonds is comprised of the following series: Correspondence; Daybooks; Promotional material; Teaching Material and Writings.
Fonds consists of glass plate negatives from the Charles H. Boyes Studio in Kingston, containing portraits of families and individuals, including portraits of graduates from Royal Military College and Queen's University.
The fonds consists of correspondence; subject files; financial and legal records; minutes; reports; speeches and addresses; family genealogy records; photographs, posters; and clippings; much of it relating to a number of cultural and artistic groups in Kingston and around Ontario, including the Domino and Grand Theatres (Kingston), Kingston Regional Arts Counci, Agnese Etherington Arts Centre Tour Committee, Theatre Ontario, and the International Amateur Theatre Association. There is also a sound recording of an interview between Bill Luxton and Rich Little pertaining to the Eastern Ontario Drama Festival.
Fonds consists primarily of correspondence to Hall's sister-in-law Vera Pyke, along with photographs, diaries and postcards from his various travels after his retirement. There is some correspondence and a number of diaries from his early life.
The fonds consists of material created by Janet Braide in her work as a student, curator and art historian. The majority of the papers reflect the research, scholarship and logistics that went into her exhibition on William Brymner, though is is a small amount of material regarding her shows on Anne Savage and Prudence Heward as well. Of particular note in this group of records is an original typescript of a lecture given by Brymner, annotated in his hand. Also included in the fonds are Braide's student notes and papers from various courses and graduate studies, articles and writings for various periodicals, and correspondence pertaining to art history.
