Fondo F3050 - Harry W. Tanner fonds

Área de título y declaración de responsabilidad

Título apropiado

Harry W. Tanner fonds

Tipo general de material

  • Documento textual

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Fondo

Institución archivística

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

Área de descripción física

Descripción física

0.80 m of textual records and ca. 600 photographs (slides, negatives and prints)

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1934-2019)

Historia biográfica

Harry W. Tanner was born in 1934 in Cuba. His father was a Canadian banker posted on the island; his mother was from West Lafayette, Indiana. He completed his early education in different bilingual schools in Cuba, graduating from high school in Havana. His interest in painting began when he was fifteen years old, taking watercolour courses from a local artist.
Harry attended Emory University in Atlanta, Georgia where he studied geology for two years before returning to Havana. It was during this time that his interest in painting returned and he joined an art class given by Palko Lukacs, a Hungarian painter who had studied under Oskar Kokoschka. Tanner’s parents supported his artistic pursuits and sponsored an indefinite stay in Paris to study art. He spent over a year learning cubism at the atelier of André Lhote in Montparnasse, visiting museums and getting to know the masterpieces in the Louvre.
Tanner made the decision to return to post revolution Havana in 1959 and participate in Cuban cultural life after most foreigners had left. he participated in the creation of the Cuban Institute of Cinematic Art and Industry (ICAIC). He worked at ICAIC for the next eleven years. He had become interested in cinematography while in Paris and worked as a cameraman, cinematographer, and director of documentaries. He also worked as an assistant to Mikhail Kalatozov, the director of the Cuban/Russian film Soy Cuba. Tanner decided to leave the film institute in 1970 to become an independent painter. Harry joined the National Union of Writers and Artists of Cuba (UNEAC) and was an active promoter of the art of painting.
In 1984, Harry left Cuba for Toronto, Canada, to assist his mother who was living there alone and settled in Toronto. Harry continued painting and gave classes in technique at the Art Gallery of Ontario (AGO). Tanner produced over 200 paintings and exhibited several times in different venues.
Harry Tanner died November 7th, 2019 at the age of 85.

Historial de custodia

Alcance y contenido

The fonds consists of material created and kept by Harry Tanner. Much of the material that still exists was originally that of Dorothy Todd Tanner, that remained in Harry's possession when she passed away. The fonds has been divided into two series, material seemingly created and or accumulated by Harry Tanner about his life and work, and a second series of material that was maintained by Dorothy Tanner from, or about, Harry that then came to be in Harry's possession after her death.

Área de notas

Condiciones físicas

Origen del ingreso

Arreglo

Idioma del material

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Condiciones de uso, reproducción, y publicación

Instrumentos de descripción

Generated finding aid

Materiales asociados

Materiales relacionados

Acumulaciones

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

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Idioma de descripción

Escritura de la descripción

Fuentes

Área de Ingreso

Materias relacionadas

Personas y organizaciones relacionadas

Lugares relacionados

Tipos relacionados

Unidad de almacenaje

  • Estantería: 2453
  • Planero: (302) Map 66
  • Estantería: F5 F8
  • Estantería: MI 288