Unidad documental compuesta f26 - Gaston, Anne-Marie, nee Groves

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Gaston, Anne-Marie, nee Groves

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Fecha(s)

  • 12 Jun. 1978 (Creación)
    Creador
    Gaston, Anne-Marie
  • 12 Jun. 1978 (Interview)
    Interviewer
    Dick, Marion

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Descripción física

  • 1 audio cassette (60 min.) : 1 7/8 ips
  • 2 audio reels : mylar-polyester

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Nombre del productor

(1941-2018)

Historia biográfica

Anne-Marie Gaston (née Groves) was a graduate of Queen's University, B.A 1963, P.H.E 1964 and a M.Litt and D.Phil from Oxford in 1977. She spent many years in India and UK, as well as traveling throughout the world observing and studying local cultures and languages. She was the first native-born Canadian to perform Classical East Indian Dance professionally and over the years she performed for tens of thousands throughout Canada, US, Europe and India.

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Alcance y contenido

File consists of a recording of Anne-Marie Gaston. Topics of the conversation include women's timidity faced with a man's world; married women's titles, surnames. Mother's concern that subject should be self-supporting. Subject's interest in dance; Phys. Ed. training at Queen's; application to CUSO. With CUSO to India via far east: war, heat, culture shock. Western culture as it now affects women's safety in India. Silly assignment to village camp; finding own work in lieu of help from Delhi. Discovery of India through travel, self through isolation. Learning Indian dance: early rising, absence of dating custom leaving loneliness, plenty of time for dancing. Subject's dance background. Benefits of social abstention; effect of separation on male-female relationships; change as' cure. Subject's zoologist husband. Convenience of being a couple in India; women as the more interesting, watchable sex. Husband's choice of doctoral work to coincide with subject's location. Indian belief that you choose an activity to benefit yourself: delicious incomprehension of CUSO volunteer-worker's martyred stance. Appreciation of Oxford libraries; Oxford University degree-work on Indian art. Subject's performances in Canada; Canada Council research grant to return to India. Financial independence through dance: drumming up business; wide variety of people interested. Dance as a door to many aspects of Indian culture. Eastern culture boom (subject's involvement pre­dating hippie influx). Subject as intuitive learner; observation that in classical art, unlike folk art, understanding is manifested by a grasp of rules.//lndia as a place where you experience humanity clearly, in the raw; subject's appreciation of Hindu philosophy. Place of female in Hindu religion, society. Dependence, restriction, of North Indian women; relative freedom in south. Strange experience of going veiled. Female emancipation in upper classes; women's role in government. Expectation in India that women will do something; western expectation that women should remain subservient, unrecognized. Credit institution vice of requiring male credentials for loans, etc. Male-female stereotype reversals. Moral, amorous pressures on women to sacrifice themselves. Subject's peer group as a sample study in women's lots: women marrying early or late, rarely in between. Possible limiting effects of youthful marriage. Subject's belief in the carrying force of true ambition: if you want to do something, you do it. Subject's life at Queen's during sixties. Small group learning at Oxford. Different patterns of attending university; privilege of learning in a protective environment at a crucial life-stage. Failure of women to apply education. Destructive social pressures exerted on husband of successful wife. Male-female aspects of Indian dance; male chauvinism in stories portrayed. Subject's opinion that everyone should dance: value of informal movement and of discipline. Relation of discipline to liberation (by extension, to Women's Lib).

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  • inglés

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Also have two preservation copies on Audio Tape Reels. (recorded on with copy of S.R. 344)

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  • Estantería: SR575.26