Zone du titre et de la mention de responsabilité
Titre propre
Emile Zola fonds
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Fonds
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
1871-1893 (Production)
- Producteur
- Zola, Emile
Zone de description matérielle
Description matérielle
9 microfilm reels : positive.
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Emile Zola, 18401902, French novelist and professional writer. Zola was the most significant exponent of French naturalism, a literary school that maintained that the novel should be scientific in a strict sense. Inspired by his readings in social history and medicine, Zola decided to apply scientific techniques and observations to the depiction of French society under the Second Empire. He composed a vast series of novels in which the characters and their social milieus are impartially observed and presented in minute and often sordid detail. Zola had an ardent zeal for social reform. He was anti-Catholic and wrote many diatribes against the clergy and the Church. His part in the Dreyfus Affair (notably his article, Jaccuse, 1898) was his most conspicuous public action, and he became the special object of the hatred of the anti-Dreyfus party. Prosecuted for libel (1898), he escaped to England, where he remained a few months until an amnesty enabled his return to France. He was accidentally asphyxiated in his bedroom after inhaling fumes from a blocked chimney.
Historique de la conservation
Portée et contenu
The fonds consists of notes and manuscript material for his Rougon-Macquart cycle of novels. Les Rougon-Macquart was set in France's Second Empire and depicted the effects of violence, alcoholism, and prostitution in two branches of a single family over five generations. The fonds includes: La Fortune Des Rougon, 1871 (The Fortune of the Rougions); La Curée, 1874 (The Rush for the Spoil); Le Ventre De Paris, 1874 (The Belly of Paris); La Conquête De Plassans, 1874 (The Conquest of Plassans); La Faute de L'Abbé Mouret, 1875; Son Excellence Eugène Rougon, 1876 (His Excellency Eugène Rougon); L'Assommoir, 1877 (The Dram Shop / The Gin Palace); Une Page d'Amour, 1878; Nana, 1880 (trans.); Pot-Bouille, 1882 (Restless House); Au Bonheur des Dames, 1883 (The Ladies' Paradise); La Joie de Vivre, 1884 (How Jolly Life Is); Germinal, 1885; L'Oeuvre, 1886 (The Masterpiece); La Terre, 1887 (The Soil); La Rêve, 1888 (The Dream); La Bête Humaine, 1890 (The Beast in Man); L'Argent, 1891 (Money); La Débâcle, 1892 (The Downfall); and Le Docteur Pascal, 1893 (Doctor Pascal).
Zone des notes
État de conservation
Source immédiate d'acquisition
Purchase.
Classement
Langue des documents
- français
Écriture des documents
Localisation des originaux
MF 2130-2138
Disponibilité d'autres formats
Restrictions d'accès
Open
Délais d'utilisation, de reproduction et de publication
Copyright restrictions may apply.