Title and statement of responsibility area
Title proper
Emile Zola fonds
General material designation
Parallel title
Other title information
Title statements of responsibility
Title notes
Level of description
Fonds
Repository
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
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1871-1893 (Creation)
- Creator
- Zola, Emile
Physical description area
Physical description
9 microfilm reels : positive.
Publisher's series area
Title proper of publisher's series
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Archival description area
Name of creator
Biographical history
Emile Zola, 18401902, French novelist and professional writer. Zola was the most significant exponent of French naturalism, a literary school that maintained that the novel should be scientific in a strict sense. Inspired by his readings in social history and medicine, Zola decided to apply scientific techniques and observations to the depiction of French society under the Second Empire. He composed a vast series of novels in which the characters and their social milieus are impartially observed and presented in minute and often sordid detail. Zola had an ardent zeal for social reform. He was anti-Catholic and wrote many diatribes against the clergy and the Church. His part in the Dreyfus Affair (notably his article, Jaccuse, 1898) was his most conspicuous public action, and he became the special object of the hatred of the anti-Dreyfus party. Prosecuted for libel (1898), he escaped to England, where he remained a few months until an amnesty enabled his return to France. He was accidentally asphyxiated in his bedroom after inhaling fumes from a blocked chimney.
Custodial history
Scope and content
The fonds consists of notes and manuscript material for his Rougon-Macquart cycle of novels. Les Rougon-Macquart was set in France's Second Empire and depicted the effects of violence, alcoholism, and prostitution in two branches of a single family over five generations. The fonds includes: La Fortune Des Rougon, 1871 (The Fortune of the Rougions); La Curée, 1874 (The Rush for the Spoil); Le Ventre De Paris, 1874 (The Belly of Paris); La Conquête De Plassans, 1874 (The Conquest of Plassans); La Faute de L'Abbé Mouret, 1875; Son Excellence Eugène Rougon, 1876 (His Excellency Eugène Rougon); L'Assommoir, 1877 (The Dram Shop / The Gin Palace); Une Page d'Amour, 1878; Nana, 1880 (trans.); Pot-Bouille, 1882 (Restless House); Au Bonheur des Dames, 1883 (The Ladies' Paradise); La Joie de Vivre, 1884 (How Jolly Life Is); Germinal, 1885; L'Oeuvre, 1886 (The Masterpiece); La Terre, 1887 (The Soil); La Rêve, 1888 (The Dream); La Bête Humaine, 1890 (The Beast in Man); L'Argent, 1891 (Money); La Débâcle, 1892 (The Downfall); and Le Docteur Pascal, 1893 (Doctor Pascal).
Notes area
Physical condition
Immediate source of acquisition
Purchase.
Arrangement
Language of material
- French
Script of material
Location of originals
MF 2130-2138
Availability of other formats
Restrictions on access
Open
Terms governing use, reproduction, and publication
Copyright restrictions may apply.