Área de título y declaración de responsabilidad
Título apropiado
Douglas Bowie fonds
Tipo general de material
- Documento textual
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Fondo
Institución archivística
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
1967-2012 (Creación)
- Creador
- Bowie, Douglas
Área de descripción física
Descripción física
24.2 m of textual records
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
Douglas Bowie was born in Kingston in 1944. Raised predominantly in Ottawa, he returned to Kingston to attend Queen's in 1962 but transferred to Carleton University from where he graduated in 1966. Bowie's writing career began when he entered the CBC Centennial Playwriting Competition while working at an advertising firm in Ottawa. His teleplay, Who Was the Lone Ranger, won a prize which set Bowie onto his professional writing career.
Bowie wrote a succession of film and television dramas, mini-series, feature films, plays and a couple of radio plays. He won an ACTRA in 1984 for Best Writer for the mini-series Empire, Inc., and was a recepient of the 1998 Margaret Collier Award which is presented to a writer for their outstanding body of work in Canadian television. Bowie also edited Best Canadian Screenplays with Tom Shoebridge, and added playwriting to his repertoire in the 1990s. He was the playwright-in-residence at Thousand Islands Playhouse for many years. Bowie has continued to live in Kingston and has been involved with such local organizations asTheatre Kingston, Cinema Kingston, Hope Theatre and the Kingston Tennis club.
Historial de custodia
Alcance y contenido
The fonds consists of the professional writing projects that Douglas Bowie has created or been involved with over a fifty year period of his professional career. The fonds is primarily comprised of script material, from early ideas to final drafts, reflecting the scope of Bowie's work from radio plays and small episodic television dramas to the large scale feature films or mini-series and theatrical productions. The material reflects projects which were both produced and unproduced. There is a small amount of collected published materials such as articles and reviews. The material is organized into series based around major and minor projects: [Early CBC and NFB productions]; U-Turn [Girl in Blue]; Micro Blues; Smarties; American Twist; Autumn Practice (unproduced); Counterpoint; Miscellaneous; Empire, Inc.; Contest Eaters (Dream House); Labour of Love (unproduced); Banff Scene- "Perfect Murder"; Hanlan (The Boy In Blue); Love and Larceny; Born for Each Other; Bargain Basement; Obsessed (Hit and Run); Best Canadian Screenplays; Chasing Rainbows; Grand Larceny Love and Larceny III; Must Be Santa; Miscellaneous Scripts, Outlines, Ideas (unproduced); The Rebellion (unproduced); Thunder Bay; The Noble Pursuit; !!Sgodsdogs!!; Goodbye, Piccadilly; Love and Larceny The Musical; Rope's End; Till It Hurts; Somewhere Beyond the Sea; Press Clippings; and, Short Stories, Articles.
Área de notas
Condiciones físicas
Good
Origen del ingreso
Arreglo
Arrangement is directly reflective of the donor's filing scheme.
Idioma del material
- inglés
Escritura del material
Ubicación de los originales
5153.1
Disponibilidad de otros formatos
Restricciones de acceso
Open
Condiciones de uso, reproducción, y publicación
None
Instrumentos de descripción
Materiales asociados
Acumulaciones
No further accruals are expected.
Identificador/es alternativo(os)
Área de número estándar
Número estándar
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control
Identificador de registro de descripción
Identificador de la institución
Reglas o convenciones
Estado de elaboración
Nivel de detalle
Fechas de creación, revisión o eliminación
Created on 7 Feb. 2018 by Heather Home.