The fonds consists of an audio tour of Classical Influences in Architecture in Kingston as created by Carl Boe, with two carousels of slides showing images from antiquity in one, and Kingston buildings in the second. Also includes photographic prints of some of the slides.
Fonds consists of images of Queen's University buildings, classrooms, and events, including initiation, as well as photographs of Heilig family outings and photos of Carl Heilig's friends. Images were digitized from a photo album by the Heilig family.
Fonds consists of photographs of Bachelor of Fine Arts students every academic year (1974-2003?). Some of the later photos are of the graduating class only. Photos were taken by Carl Heywood. Textual records includes posters for the BFA graduating class art show, and posters created by Carl for his print class and events happening for the BFA students.
The fonds consists of correspondence, manuscript poems, photographs, printed poems by Madsen, Wallace Havelock Robb, Wilson Macdonald, C.A. Tupper and others.
The fonds is comprised of textual and digital records reflecting the artistic practice and community activism of Carole Condé and Karl Beveridge over a 40 year period. The textual and photographic material spans from the 1970's until 2010, and encompasses the artists participation in the Toronto community predominantly, but also the art and activist community of New York City in the 1960's and 70s. The records reflect both the practice of the artists through individual art projects and commissioned work, as well as their participation and activity with various groups, locals, unions, institutions, organizations, committees, or festivals such as Mayworks, The Ontario Workers Arts and Heritage Centre, The Canadian Labour Congress, the Independant Artists Union (IAU). The electronic records predominantly reflect their evolving artistic practice. The artists have digitized many of the components and products of their early works which are in evidence in the textual files. Earlier works, while represented in the electronic record, are merely an alternate format for the finished works and components and are not as detailed a record of the creative process of the artists as the more contemporary files created entirely through a digital process which the artists moved over to in 2000. The fonds is arranged in the following series: Artist groups and organizations; Correspondence; Art Jobs; Art Business; Banners; Sculpture; Art Projects; Studio documentation and Press morgue.
