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Fonds consists of correspondence relating to his time as President of The General Alumni Association of Queen's University.

"Dissection of the Upper Extremity" was a paper written by Dr. D.C Matheson in 1946. The illustrations were drawn by A. Leslie McDonald, M.D C.M. It is unknown if this paper was published.

This is a typewritten transcript of a diary kept by Dr. George A. Hayunga during his time as a surgeon with the United States Navy during the American Civil War. The diary is dated from July 9 1864 to July 18 1865.

Item is a sketchbook, drawn by Isabella Cartwright.

Fonds consists of a letter written by George Woodcock.

Item is a copy of "Kingston Penitentiary is On The Air", which contains two radio shows, first recorded in July and August 1952, featuring "an hour's worth of perfomances by inmate entertainers from Kingston Penitentiary, as originally recorded over the public airwaves" by Radio Station CKWS.

The fonds is comprised of textual and digital records reflecting the artistic practice and community activism of Carole Condé and Karl Beveridge over a 40 year period. The textual and photographic material spans from the 1970's until 2010, and encompasses the artists participation in the Toronto community predominantly, but also the art and activist community of New York City in the 1960's and 70s. The records reflect both the practice of the artists through individual art projects and commissioned work, as well as their participation and activity with various groups, locals, unions, institutions, organizations, committees, or festivals such as Mayworks, The Ontario Workers Arts and Heritage Centre, The Canadian Labour Congress, the Independant Artists Union (IAU). The electronic records predominantly reflect their evolving artistic practice. The artists have digitized many of the components and products of their early works which are in evidence in the textual files. Earlier works, while represented in the electronic record, are merely an alternate format for the finished works and components and are not as detailed a record of the creative process of the artists as the more contemporary files created entirely through a digital process which the artists moved over to in 2000. The fonds is arranged in the following series: Artist groups and organizations; Correspondence; Art Jobs; Art Business; Banners; Sculpture; Art Projects; Studio documentation and Press morgue.

Fonds consists of correspondence; subject files; manuscripts; playscripts; school notebooks; diaries; reviews; articles; typescripts of some of her writings; publications; photographs; clippings; and oral history tapes, with transcripts; one DVD-R of the National Film Board of Canada's production of "The Best Damn Fiddler from Calabogie to Kaladar,". There is considerable material relating to her book, 'Celebrate This City.' The photographs are from books on the Ottawa Valley, Kingston, and the Dalton Sailing Album.

Fonds consists of correspondence, manuscripts, subject files, news clippings, tape recordings, galley proofs, a relatively complete bibliography of his work, a videocassette copy of "Rare 'Home Movies'" originally shot in the 1940's and 1950s, and photographs. Included are memorabilia and conference papers from Mr. Gustafson's career as a poet, critic, and scholar.

The fonds consists of correspondence, manuscripts, diaries, research notes, memoranda, scrapbooks, photographs, critical commentaries, and news clippings. Correspondents include Rudyard Kipling, Alfred Noyes, Booth Tarkington, Willa Cather, Theodore and Eleanor Roosevelt, Vincent Massey and Odell Shepard, among others. The microfilm contains correspondence with Washington Irving Way, Mr. Yard, Miss Rittenhouse, J.R. Peck, Frederick Holland Day and W. Poillar.