Collection consists of photographs of Queen's University and Kingston, including images of snow sculptures, buildings and events on Queen's campus, as well as photo albums of families in Kingston with images of Royal Military College, military encampments, and various Kingston buildings. Also includes the films of O.T. Macklem.
Fonds consists of photographs of Bachelor of Fine Arts students every academic year (1974-2003?). Some of the later photos are of the graduating class only. Photos were taken by Carl Heywood. Textual records includes posters for the BFA graduating class art show, and posters created by Carl for his print class and events happening for the BFA students.
Promotional package for the Tall Ships Rendezvous in Kingston, Rochester and Toronto in 1984. Includes letters of welcome from community leaders, itineraries, press releases, etc.
Fonds consists of subject files from the Alumni Review Office; submissions received from alumni in response to a call by the Editor for recollections of life as a student at Queen's University, or memories of an event or person including 'Queen's Clans', 'Ralfe J. Clench', 'Nancy Malloy', and 'Robert Sutherland'; submissions to 'Wartime Memories', which formed the basis for the 1995, and the revised 1996 publication, capturing alumni memories of the Second World War, entitled, 'Queen's Goes to War: 'The best and the worst of times ...''; photographs of numerous Queen's University football teams; photographs of Upper Canada Village; transcripts of interviews with Dr. Margaret Angus, A.D. McGinnis, Dr. Stewart Webster, and Clara Brooke, undertaken as part of the Review's on-going "Oral History Project"; copy of article, plus original typescript, authored by Alfred Bader describing his time spent as a prisoner in a Canadian internment camp, compact disk containing images of the shirt he wore while interned; and bound volumes of the "Queen's Alumni Review".
The fonds consists of material relating to both the private and public life of the artist, reflecting the development, growth and working life of the artist over a 50 year time period. The fonds consists of records that reveal and document the many activities of the artist such as: the creation, mounting and exhibition of artworks; teaching; participation within local and national associations and groups such as PEN Canada and CARFAC, as well as local artist-run centres and organizations; residencies undertaken; texts written and published; and honours and awards received. Includes: correspondence; research materials; working and prepatory material for artworks in various media formats; transcripts; translations; journals and agendas; speeches and conference papers; drafts, manuscripts and working correspondence regarding published texts; and teaching notes and material. The fonds has been arranged in the following series: Projects; Teaching activities; Artist in the Community; and Personal activities.
