Showing 3224 results

Fonds consists of correspondence, notes, typescripts and material relating to his book "Queen's, Queen's, Queen's" (1977); research files and background material for various articles that appeared in the 'Flashback' column of the "Alumni Review", and in 'The Passing Show' column in "The Kingston Whig-Standard" (1986-1989).

Commissions and diplomas.

Relates to his appointment as dean of the Faculty of Education.

The fonds consists of correspondence from various members of the family, land grants, deeds, mortgages, stocks, wills, probates, power of attorney, financial records and a copy of the Herchmer Family Tree. Most of the material relates to Johan Jost Herkimer; his son Lawrence Herchmer; Lawrence's son, the Reverend Willam Macaulay Herchmer and his wife Frances and his son Col. William Macaulay Herchmer of the North-West Mounted Police.

Original manuscript and typescript of display book. Published by the Agnes Etherington Art Centre, Queen's University, Kingston.

Collection consists of travellers' accounts of visits to Kingston and vicinity (1671-1900); copies of articles and booklets relating to the history of Kingston and district.

Advertising scrapbooks, 1953-1956.

The collection consists of a number of tintypes and other photographs collected by Herman Balesic over the years. The hand-tinted tintype portraits were mainly taken by J.D. Wallis, melainotype artist, who had an office on Market Square in Kingston, Ontario. The other portraits are examples of the work of other local photographers such as Spohn, Bell, Abbott and Sheldon and Davis.

Correspondence includes letters from General H.D.G. Crerar, the Secretary to King George VI, Norman Robertson, W.L. Mackenzie King, the Assistant Secretary to the Governor-General, Dwight D. Eisenhower, Ian A. Mackenzie, James Forestall, Field Marshall Montgomery of Alamein, and Eleanor Roosevelt.

The collection consists of drawings for a farm house on Hickory Island for J.W. Wood by Warren, Wetmore and Morgan Architects of New York, collected as part of the "Ah, Wilderness" exhibition at the Agnes Etherington Art Centre.