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Canadian Film Development Corporation

  • CA QUA01532
  • Organisation
  • 1967-1984

The Canadian Film Development Corporation (CFDC) was created by an Act of Parliament in 1967 "to foster and promote the development of a feature film industry in Canada." This Crown corporation, which owes its existence to filmmakers who pressured the government for financial support, was originally given $10 million to invest in the FILM industry as a loan fund. Under its first executive director, Michael Spencer, it invested in a number of low-budget English and French films of cultural value and was instrumental in establishing the beginnings of a viable film industry.
Increasing commercial pressures were brought to bear on the CFDC as many of the films it supported went unseen by Canadians, and by 1973 international co-productions were favoured. In 1978 a new executive director, Michael McCabe, accelerated this process, encouraged the use of foreign stars and favoured producer-initiated as opposed to director-driven projects. Using the Capital Cost Allowance tax initiative he increased total Canadian investment in feature films from $19 million in 1977 to $165 million in 1980. This commercial orientation was far from successful as many films remain unreleased and indigenous artistic production virtually ceased.
In 1980 André Lamy replaced McCabe, committing himself to rectifying problems created by the CCA. In 1983 the Canadian Broadcast Program Development Fund was created to allocate $245 million over a 5-year period to films that were mainly co-financed by television networks, the private sector and the CFDC. This arrangement guaranteed the films a broadcast playdate, thereby avoiding problems of distribution that had plagued the industry. To reflect this growing emphasis on investing in television production, the organization was renamed Telefilm Canada in 1984.

Queen's University. School of Music

  • CA QUA01547
  • Organisation
  • n.d.

Queen's University has offered a Bachelor of Music program in the Faculty of Arts and Science since 1969, although students have studied music, either formally, or informally, since the University was founded. In the 19th century, the main vehicles for students with a musical turn were church choirs and the Queen's Glee Club. Formal musical studies began with the appointment of Frank Llewelyn Harrison as resident musician in 1935. Harrison-LeCaine Hall, opened in 1974, as a home for the music program, is named jointly for him and Hugh LeCaine, a scientist, composer, Queen's graduate, and a major figure in the development of electronic music in Canada. The Department of Music became the School of Music in the early 1990s, and its Department Head became a Director, although it is still a unit within the Faculty of Arts and Science. The School prepares students for a wide variety of professional careers in music, and prides itself on the freedom it grants upper year students to create their own program of studies within six major areas of music instruction: music education, performance, music theory, composition, music and technology, and musicology. In an effort to improve the quality of the learning environment, Harrison-Lecaine Hall completed internal renovations in the summer of 2000. Special features of the School are its Electroacoustic Music Studio, composers from which have played a significant role in developing electronic music in Canada, and the Music Library, which provides a wide assortment of albums, texts, and theoretical treatises for students. In 2015, the Dan School of Drama and Music was formed, merging the Department of Drama and the School of Music into one school.

Degrees: Bachelor of Music (BMus)

Performing Arts Office

  • CA QUA01563
  • Organisation
  • n.d.

No information available on this creator.

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