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Betty (MacRae) Harrison was born in Ottawa, February 2, 1928. A graduate of Queen's University, Arts '50, Harrison taught high school English and Phys-Ed. She died in Toronto on January 29, 2020.

Milly Ristvedt (b. 1942, Kimberley, BC) MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe and Roy Kiyooka at the Vancouver School of Art.
At 24, her work was included in the Centennial Exhibition at the Art Gallery of Ontario and featured at the National Gallery of Canada. She was chosen for exhibitions in Winnipeg, Paris and Lausanne. By 1969, Ristvedt was painting large canvases, sharing a studio with Jack Bush and showing with the Carmen Lamanna Gallery. Since 1968 Ristvedt has had more than fifty solo exhibitions, including a travelling ten-year survey exhibition in 1979 organized by the Agnes Etherington Art Centre. She has been featured in multiple publications including Abstract Painting in Canada (Nasgaard, 2007).

Ristvedt has been continually involved in artists' organizations throughout her career. She co-founded and headed up the first Canadian artist-run centre, Vehicule Art, in Montreal in the 1970s. As an advocate for artist's rights, Ristvedt was awarded the Queen's Diamond Jubilee Medal in 2012 for her work with the Royal Canadian Academy of Arts. She has served on many arts boards and committees, including those of Modern Fuel, the National Arts Service Organization and the Visual Arts Alliance.

Ristvedt has taught classes and studio courses and workshops throughout her career. In the 1990s, she organized the Sheffield Lake Workshop, an annual one-week retreat attended by more than 40 professional Canadian and American women.

Ristvedt's abstract, acrylic canvases are held in private, corporate and public collections including the Art Gallery of Ontario, the Boston Museum of Fine Arts, the Musée d’art contemporain de Montréal and Harvard University. And most recently The National Gallery of Canada. She completed an MA in Art History at Queen's University in 2011.

Frances de Sales McAuley worked for the United Nations General Assembly in New York, NY.

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Alfred Thayer Mahan was an American naval officer and historian who was a highly influential exponent of sea power in the late 19th and early 20th centuries. Mahan was the son of a professor at the U.S. Military Academy at West Point, N.Y. He graduated from the U.S. Naval Academy at Annapolis, Md., in 1859 and went on to serve nearly 40 years of active duty in the U.S. Navy.

A Union naval officer in the Civil War, he later lectured on naval history and strategy at the Naval War College, Newport, R.I., of which he was president (1886–89, 1892–93). Out of his lectures grew his two major works on the historical significance of sea power—The Influence of Sea Power upon History, 1660–1783 (1890) and The Influence of Sea Power upon the French Revolution and Empire, 1793–1812 (2 vol., 1892). His books were quickly translated into several languages and were widely read by political leaders, especially in Germany, where they were used as a justification for a naval buildup. In the United States, Theodore Roosevelt and other proponents of a big navy and overseas expansion were much influenced by Mahan’s writings. Among his many works are biographies of David Farragut and Horatio Nelson and the autobiographical From Sail to Steam (1907, repr. 1968).

Peter Morris (born at Blackpool, UK 1937; died at Hamilton, Ont 2 Feb 2011). Peter Morris was an important and influential pioneer of Canadian film studies. He received a BA from the University of Nottingham in 1958 and an MA in science from the University of British Columbia in 1961. He was the author of Embattled Shadows: A History of Canadian Cinema 1885-1939 (1978), the first detailed history of Canadian cinema, and The Film Companion (1984). He translated and edited Georges Sadoul's Dictionary of Films and Dictionary of Film Makers (1972) into English. He wrote many articles and monographs on Canadian and world films, and published his book David Cronenberg: A Delicate Balance in 1994.

Peter Morris taught film at Queen's University, Kingston (1976-88) and was professor emeritus in film studies in the department of film and video at York University. He was founding curator of the Canadian Film Archives in Ottawa (now incorporated into the National Archives of Canada), the first Canadian institution ever admitted into FIAF (the International Federation of Film Archives). He was a member of its executive committee from 1966-69 and again 1973-74; from 1967-68 he was FIAF's treasurer. He was founding president of the Film Studies Association of Canada, an editor of the Canadian Journal of Film Studies (1989-93) and a member of its advisory editorial board. He also served as coordinator of the fine arts cultural studies program at York University.

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