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Mary Louise Pratt is a Silver Professor and Professor of Spanish and Portuguese Languages and Literatures at New York University. She received her B.A. in Modern Languages and Literatures from the University of Toronto in 1970, her M.A. in Linguistics from the University of Illinois at Urbana in 1971, and her Ph.D. in Comparative Literature from Stanford University in 1975.

Her first book, Toward a Speech Act Theory of Literary Discourse, made an important contribution to critical theory by demonstrating that the foundation of written literary narrative can be seen in the structure of Oral Narrative. In it Pratt uses the research of William Labov to show that all narratives contain common structures that can be found in both literary and oral narratives.

In her more recent research, Pratt has studied what she calls contact zones - areas in which two or more cultures communicate and negotiate shared histories and power relations. She remarks that contact zones are “social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today.” In her article “Arts of the Contact Zone,” Pratt also coins the term autoethnographic texts, which are “text[s] in which people undertake to describe themselves in ways that engage with representations others have made of them.”

E. J. Pratt was born in Western Bay, Newfoundland on 4 February 1882. He graduated from St. John's Methodist College in 1901, and obtained his BA in Psychology and Theology (1911) and Bachelor of Divinity (1913) from Victoria College at the University of Toronto. After serving as Assistant Minister in Streetsville, Ontario, he returned to the University of Toronto as a Lecturer in Psychology, and obtained his PhD in 1917. He married Viola Whitney in 1918, and had one daughter, Claire Pratt.
Pratt was invited by Pelham Edgar in 1920 to switch to the University's Faculty of English, where he became a professor in 1930 and a Senior Professor in 1938. He taught English literature at Victoria College until his retirement in 1953. He served as Literary Adviser to the college literary journal, Acta Victoriana.
Pratt won Canada's top poetry prize, the Governor General's Award, three times: in 1937 for "The Fable of the Goats and other Poems;" in 1940 for "Brébeuf and his Brethren;" and in 1952, for "Towards the Last Spike." He was elected to the Royal Society of Canada in 1930, and was awarded the Society's Lorne Pierce Medal in 1940. In 1946, he was made a Companion of the Order of St. Michael and St. George by King George VI. He was also awarded a Canada Council Medal for distinction in literature in 1961.
Pratt passed away on 26 April 1964 in Toronto at the age of 82.

Poet, Toronto, Ont.

Born at Boucherville, Quebec, Oct. 1807. Fled in 1837 to England, then to France. In 1853 Chief Justice, Court of Queen's Bench of Lower Canada. Died in 1854.

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John Powis is a photographer based in Ottawa, Ontario.

In 1873, Joseph Power (1849-1925) became a partner in his father's architectural firm, which then became known as Power & Son. This name was continued until 1919, in spite of John Power's death in 1882. Around 1880 a younger son, Thomas R.P. Power (1859-1930) also joined the practice although the name of the firm was never changed to reflect this addition to the practice. Colin Drever (1887-1975), educated at Heriot Watt College in Edinburgh and emigrated to Canada in 1911, worked for Power & Son from 1912 to 1915 and again in 1818. He was taken in as a partner in 1919, at which time drawings in the Power Collection began to be signed Power Son & Drever. Powers retired in 1923 leaving Dever on his own until 1945 when he was joined by Harry P. Smith (1905-1983), a graduate of the University of Toronto with a Bachelor of Architecture degree (1929). Drever retired in 1967.

John Power (1816-1882) came to Kingston from England in 1846. Given the lack of formal training facilities, it might be assumed that John Power's early architectural training and experience was gained under his father, an architect/builder in Devonshire. In Kingston, it is thought that John Power first assisted in architectural work in the offices of Edward Horsey, a fellow emigrant from Devonshire and probably the brother of John Horsey, with whom Power travelled to Canada. The first professional mention of Power working on his own is an 1850 item in the Kingston Daily News (March 22). Throughout the 1850s, '60s and '70s, Power's practice diversified including designs for houses, both single and multiple, several churches and schoolhouses. In 1862 he began what was to become a series of associations with governmental clients by assuming responsibility as joint architect with William Coverdale for the Watkins Wing of the Kingston General Hospital.

In 1873 Joseph Power (1849-1925) became a partner in his father's architectural firm, which then became known as Power & Son. This name was continued until 1919, in spite of John Power's death in 1882. Around 1880 a younger son, Thomas R.P. Power (1859-1930) also joined the practice although the name of the firm was never changed to reflect this addition to the practice. Colin Drever (1887-1975), educated at Heriot Watt College in Edinburgh and emigrated to Canada in 1911, worked for Power & Son from 1912 to 1915 and again in 1818. He was taken in as a partner in 1919, at which time drawings in the Power Collection began to be signed Power Son & Drever. Powers retired in 1923 leaving Dever on his own until 1945 when he was joined by Harry P. Smith (1905-1983), a graduate of the University of Toronto with a Bachelor of Architecture degree (1929). Drever retired in 1967.