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The Queen's Quarterly, a scholarly review journal of general interest, began its life under the inspiration of Principal George Monro Grant. In the lead article of the first issue (July 1893), he argued that something was needed to appeal to Queen's alumni and well-wishers at a high intellectual level. In addition to articles on a wide variety of topics, the earliest Queen's Quarterly also contained articles about happenings on campus, as well as the Principal's annual report.
Queen's Quarterly has been published continuously since its inception, and its standard has remained high enough to substantiate the claims of it being Canada's oldest general interest intellectual journal. It was only in 1928 that one individual was assigned to continual editorial responsibility. Before then, Queen's Quarterly had been run by editorial committees, and different members of its prevailing committee were responsible for producing each issue.
The journal's commitment has always been to offer both the academic and the general reader a lively collection of analysis and reflection, in fields as diverse as international relations, science policy, literary criticism, travel writing, economics, religion, short fiction, and poetry.

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The Journal has been Queen's main student newspaper since it was founded in 1873. It appears twice a week on campus with a mix of news, sports, and entertainment stories, editorials, letters to the editor, and photographs. The paper is students' most important source of news and general information and has been a training ground for scores of Canadian journalists.

The Journal first appeared on campus on October 25, 1873 as the Queen's College Journal, a fortnightly magazine whose avowed object was to "foster a literary taste among students." It published a great deal of verse in its early years, and its prevailing tone was earnest and evangelical: typical articles were "Longevity and Work," "What is Preaching?" and "The Formation of Habits." There were also numerous verbatim reports of sermons and speeches.

By the mid-1880s, however, debates on purely college issues and columns of college jokes were creeping in. And by the early years of this century, the familiar news, sports, and entertainment sections were emerging.

During the golden years of Queen's football in the 1920s, when the team won three straight Grey Cups, the paper cheerfully turned itself into a sports sheet and other sections were relegated to the inside pages.

The Queen's Journal has existed in roughly its present format since the 1930s. There were a few departures from format in the late 1960s and the 1970s, however, when the paper reflected the change in times; it was not unusual at that time to see the photograph of a nude or a piece of psychedelic art taking up the entire front page.

In the mid-1980s, the paper introduced computers for writing and layout. The Journal is partly funded by the Alma Mater Society but run by an independent editorial board.

Queen's Hillel, established in 1941, is the oldest Hillel organization in Canada. Since that time, Hillel House has been the hub of Jewish social and cultural activity on campus. It offers a variety of activities for interested members of the Queen's community out of a restored 1840s heritage villa at 124 Centre Street, beside Kingston's Beth Israel synagogue.
"Hillel House" is the traditional name for Jewish gathering places at universities throughout the world. Hillel was a first-century founder of Rabbinic Judaism, the school of Judaism from which all modern Judaism derives. Originally founded in 1923 and adopted by B'nai B'rith in 1924, Hillel has grown into the world’s largest Jewish campus organization.

Queen's Bands are called "bands," plural, because there are actually four of them: a pipe band, a brass band, highland dancers, and a troupe of male and female cheerleaders. They perform at Queen's football games, appear together or in separate units at major University ceremonies, and represent Queen's at numerous parades and events across Canada and the United States. The Bands got their start in 1905, when a few first-year students decided to form a marching brass band "to help things along at football games." But the idea did not gain easy acceptance. The 12 original musicians, including John Stirling, Queen's Chancellor from 1960 to 1974, suffered verbal abuse on parades to the football field and were ejected from the equipment room, where they practised, by the football team. The group dissolved after just two years, and it was not until 1920, that a marching band reappeared. The revived band, unlike the original group, had its own instruments and even uniforms: white duck trousers, tricolour sweaters, and Queen's tams. The now traditional kilts were adopted only after the Second World War. A pipe band was added to the troupe in 1925, but did not become a permanent fixture until 1938, at which time highland dancers also appeared. It is unclear when cheerleaders first joined the Bands. "Rooters clubs" were formed early this century to lead students in cheers at Queen's games and appear to have gradually become informally, and then formally, linked with the Bands. There are now about 120 students in the Bands. The Bands' office is in the John Deutsch University Centre.

Queen's Alumni Review was established in 1927 as the primary communications outlet between the University and its alumni. First published in March 1927 as the monthly "Queen's Review", the publication sought to give an active voice to the newly formed (November 1926) General Alumni Association. Its first editor was Gordon J. Smith (1927-1939), followed by Herb Hamilton (1939-1974), Cathy Perkins (1974-1986), Ken Cuthbertson (1987-2014), and Andrea Gunn (2014 to present day). The magazine, now known as "Queen's Alumni Review," is published quarterly and sent out free of charge to alumni and friends of the University. It contains news and information about the University and its graduates. The magazine's official publisher is the Office of Advancement and it is produced by University Relations.